Programming is accomplished using proprietary software for the Commodore 64 personal computer. On the front panel is a single keypad, a single volume knob, buttons for transpose and tune, and 16 buttons used to operate the sequencer. However, it does not have a MIDI Thru jack. It can send and receive on any MIDI channel and features Mono mode, MIDI program and sequence dumping, and switches to enable it to receive program changes and external wheel receive. The Max's MIDI implementation is pretty good for its time. However, when you turn it back on, you can choose from two demo sequences permanently stored in the Max's memory. Once you shut the Max off, your sequence is lost unless you back it up via MIDI dump. The sequencer features real-time recording (although it has no click-track), looping, and once you assign it to a voice, it will play independent of the rest of the keyboard. It has an onboard sequencer, which has a 500 note maximum. Owing much of its design to the Six-Trak, the Max lacks pitch and modulation wheels as well as the Six-Trak's "stack" mode which allow you to stack all six multi-timbral voices for a very complex monophonic sound. It was designed to be attached to a Commodore 64 computer (one of the more music-oriented personal computers of the time). The Max is a 6-voice, multi-timbral analog synthesizer with a 4-octave, 49-note (C-C) keyboard. Sequential ad featuring the Max, courtesy of Benjamin Ward Max "MIDI Voice Expander/Computer Peripheral" (model #620) Search the Classifieds for this instrument. (remote controller keyboard for the Prophet-5)
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